There is no great writing, only great rewriting.
Justice Brandeis
Whether you’re editing your own work or getting paid to edit for others, it’s important to stay on your toes. These tips are especially helpful if you’re writing fiction. However, many of the same issues arise in non-fiction, so many of these can be applied to your articles, as well as your novels.
EDITING TIPS
Read it aloud.
Do you notice anything about the writing as you read it aloud?
Check the verb choices
Get rid of was, were, is, etc.
Check for sensory elements
Have you tapped into the five senses?
Check for run-on sentences
Don’t let your sentences run on forever. Use periods.
Kill off adverbs (-ly words)
Do you tend to overuse adverbs?
Check structure/length of paragraphs:
What is the “paragraph tendency” – long or short? The pacing of the story depends, at least in part, on the length of your paragraphs. In a literary piece, longer paragraphs might work. But in a fast-paced story, shorter, choppier paragraphs work best.
Check names for consistency:
If she’s Sue on page two, she’d better be Sue on page 222.
Word count
Have you done a final word count? What is it? Does this meet the editor’s specifications?
Double-check the “hook” (opening line/paragraph) for effectiveness.
Now that the “whole” story is written, is the hook as effective as it needs to be? Does it need to be beefed up?
Check the timeline
Eliminate prepositional phrases: Are they overused?
Cut the flab
Are there sections that don’t show conflict, advance the plot or show character motivations? Perhaps you should cut them.
Check for beginning, middle and end
Does the story have a clear beginning, middle and end?
Does the story arc/come full-circle?
Many people like to bring their story full-circle, returning (in some way) to where the story started. Has this been done? If so, does it work?
Check for symbolism
Have metaphors been used effectively?
Kill off clichés: They bug editors like the plague.
Are clichés overused?
Get rid of repetitious words
Do you notice a “pet” word? If so, eliminate to avoid repetition.
Check for ebb and flow
Does the story have a natural “flow” to it? Ups and downs?
Check the plot-line
Is the story well plotted with effective climax?
Get someone else to read your manuscript
Perhaps you have a writing buddy who would be willing to help.
Show, Don’t Tell!
Do you have a handle on the “Show, don’t tell” thing?
Check dialogue vs. narrative
Does the manuscript have a good balance?
Feel for Setting
Has the setting been established?
Character traits
Does the character have appropriate mannerisms, speech, clothing, hobbies, habits, attitude, humor, etc.?
Clear Ages
Are correct ages established?
Setting check
Is it clearly established?
Spell Check
Have you run it?
Grammar Check
Understand that it’s not always accurate or in line with what the editors will want. Refer to the Chicago Manual of Style (which you can find online). I also recommend Kathy Ide’s book, “P.U.G.S. – Punctuation, Usage, Grammar & Spelling.”
Check for good vs. evil
The good character can’t be all good and your bad character can’t be all bad
Reach a stopping point.
Editing could go on forever. There could always be a word in need of tweaking or a phrase in need of striking. But at some point, you must say, “Okay. This is it. The book is done.” After all, when the book sells, several editors will go through it again.
RECOMMENDED READING:
- On Writing Well By William Zinser
- Self-Editing for Fiction Writers By Renni Browne and Dave King
- Getting Published by Sally E. Stuart
- The Elements of Style by William Strunk, Jr., & E. B. White
- The Elements of Grammar by Margaret Shertzer
- Words on Target by Sue Nichols
- Techniques of the Selling Writer by Dwight V. Swain
- Better Vocabulary in 30 Minutes a Day by Edie Schwager
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